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Humor Definition Essay

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Humor Definition Essay

Definition And Classification Of Humor English Language Essay. Published: 23, March 2015. Humor is a common phenomenon, which plays an important role in many aspects. Definition and Examples of Humorous Essays Because of fewer constraints, humorous essays allow for genuine feelings of joy, anger, sorrow and delight to be expressed.How to Write a Definition Essay. A definition essay can be deceivingly difficult to write. This type of paper requires you to write a personal yet academic definition. Writing a definition essay. A definition essay is an essay concentrated on the explanation of the meaning of a definite term. The term may be analyzed from the. Definition of humor: a funny or amusing quality. jokes, funny stories, etc. of a particular kind. the ability to be funny or to be amused by things that are funny. Antonyms of Humor: pathos—Find the. Definition of humor Spanish Central: Translation of humor Nglish: Translation of humor for Spanish speakers Britannica. So What is Humor? As the definition states, humor is anything that causes amusement. The joke “A leader of an orchestra was recently electrocuted. Academic Support Center Writing Center Definition Essay Resource: website “Essay Info” What is a Definition Essay? A definition essay is writing that explains. How to Write a Good Hook for Your Essay. it doesn’t mean that your entire essay has to be funny. A bit of humor can. Include an Interesting Fact or Definition;The definition of humor is the quality of being funny, or something that makes people laugh, or one of the four bodily fluids.humor definition essay

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Humourous: definition of Humourous and synonyms of Humourous (English)

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definitions - Humourous

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1. full of or characterized by humor "humorous stories" "humorous cartoons" "in a humorous vein"

definition (more) synonyms - Humourous

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see also - Humourous

analogical dictionary From Wikipedia

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"Hilarity" redirects here. For the U.S. Navy ship, see USS Hilarity (AM-241) .

Smiling can imply a sense of humour and a state of amusement, as in this painting of Falstaff by Eduard von Grützner .

Humour or humor (see spelling differences ) is the tendency of particular cognitive experiences to provoke laughter and provide amusement. People of all ages and cultures respond to humour. The majority of people are able to be amused, to laugh or smile at something funny and thus they are considered to have a "sense of humour". The question of whether or not something is humorous is a matter of personal taste .

The term derives from the humoral medicine of the ancient Greeks. which stated that a mix of fluids known as humours (Greek. χυμός. chymos. literally juice or sap. metaphorically, flavour ) controlled human health and emotion.

A sense of humour is the ability to experience humour, although the extent to which an individual will find something humorous depends on a host of variables, including geographical location. culture. maturity. level of education. intelligence and context. For example, young children may favour slapstick. such as Punch and Judy puppet shows or cartoons such as Tom and Jerry . Satire may rely more on understanding the target of the humour and thus tends to appeal to more mature audiences. Nonsatirical humour can be specifically termed "recreational drollery". [1] [2]

Many theories exist about what humour is and what social function it serves. It would be very difficult to explain humor to a hypothetical person who did not themself have a sense of humor already. In fact, to such a person humor would appear to be quite strange if not outright irrational behavior. Something humourous to an individual can be entirely repulsive to another. Among the prevailing types of theories that attempt to account for the existence of humor there are: psychological theories, the vast majority of which consider humor to be very healthy behavior; there are spiritual theories which may, for instance consider humor to be a "gift from God;" there are also theories that consider humor to be an unexplainable mystery, very much like a mystical experience. [3]

Understanding humour

This section may require cleanup to meet Wikipedia's quality standards. Please improve this section if you can. (January 2008)

Arthur Schopenhauer lamented the misuse of the term "humour" (a German loanword from English ) to mean any type of comedy. However, both "humour" and "comic" are often used when theorizing about the subject. The connotation of "humour" is more that of response, while "comic" refers more to stimulus. "Humour" also originally had a connotation of a combined ridiculousness and wit in one individual, the paradigm case being Shakespeare's Sir John Falstaff. The French were slow to adopt the term "humour" and in French, "humeur" and "humour" are still two different words, the former still referring only to the archaic concept of humours.

Western humour theory begins with Plato. who attributed to Socrates (as a semihistorical dialogue character) in the Philebus (p. 49b) the view that the essence of the ridiculous is an ignorance in the weak, who are thus unable to retaliate when ridiculed. Later, in Greek philosophy, Aristotle. in the Poetics (1449a, pp. 34–35), suggested that an ugliness that does not disgust is fundamental to humour.

In ancient Sanskrit drama. Bharata Muni 's Natya Shastra defined humour (hāsyam ) as one of the nine nava rasas . or principle rasas (emotional responses), which can be inspired in the audience by bhavas. the imitations of emotions that the actors perform. Each rasa was associated with a specific bhavas portrayed on stage. In the case of humour, it was associated with mirth (hasya ).

The terms "comedy " and "satire " became synonymous after Aristotle's Poetics was translated into Arabic in the medieval Islamic world. where it was elaborated upon by Arabic writers and Islamic philosophers such as Abu Bischr, his pupil Al-Farabi. Avicenna. and Averroes. Due to cultural differences, they disassociated comedy from Greek dramatic representation, and instead identified it with Arabic poetic themes and forms, such as hija (satirical poetry). They viewed comedy as simply the "art of reprehension" and made no reference to light and cheerful events or troublous beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century. the term "comedy" thus gained a new semantic meaning in Medieval literature. [4]

The Incongruity Theory originated mostly with Kant. who claimed that the comic is an expectation that comes to nothing. Henri Bergson attempted to perfect incongruity by reducing it to the "living" and "mechanical". [5]

An incongruity like Bergson's, in things juxtaposed simultaneously, is still in vogue. This is often debated against theories of the shifts in perspectives in humour; hence, the debate in the series Humor Research between John Morreall and Robert Latta. [6] Morreall presented mostly simultaneous juxtapositions, [7] with Latta countering that it requires a "cognitive shift" created by a discovery or solution to a puzzle or problem. Latta is criticized for having reduced jokes' essence to their own puzzling aspect.

Humour frequently contains an unexpected, often sudden, shift in perspective, which gets assimilated by the Incongruity Theory. This view has been defended by Latta (1998) and by Brian Boyd (2004). [8] Boyd views the shift as from seriousness to play. Nearly anything can be the object of this perspective twist; it is, however, in the areas of human creativity (science and art being the varieties) that the shift results from "structure mapping" (termed "bisociation " by Koestler) to create novel meanings. [9] Arthur Koestler argues that humour results when two different frames of reference are set up and a collision is engineered between them.

Tony Veal, who takes a more formalised computational approach than Koestler, has written on the role of metaphor and metonymy in humour, [10] [11] [12] using inspiration from Koestler as well as from Dedre Gentner 's theory of structure-mapping, George Lakoff and Mark Johnson 's theory of conceptual metaphor. and Mark Turner and Gilles Fauconnier 's theory of conceptual blending .

Some claim that humour cannot or should not be explained. Author E.B. White once said, "Humor can be dissected as a frog can, but the thing dies in the process and the innards are discouraging to any but the pure scientific mind." [13]

As with any form of art, acceptance depends on social demographics and varies from person to person. Throughout history, comedy has been used as a form of entertainment all over the world, whether in the courts of the Western kings or the villages of the Far East. Both a social etiquette and a certain intelligence can be displayed through forms of wit and sarcasm. Eighteenth-century German author Georg Lichtenberg said that "the more you know humour, the more you become demanding in fineness."

Evolutionary explanation of humour

Alastair Clarke explains: "The theory is an evolutionary and cognitive explanation of how and why any individual finds anything funny. Effectively, it explains that humour occurs when the brain recognizes a pattern that surprises it, and that recognition of this sort is rewarded with the experience of the humorous response, an element of which is broadcast as laughter." The theory further identifies the importance of pattern recognition in human evolution: "An ability to recognize patterns instantly and unconsciously has proved a fundamental weapon in the cognitive arsenal of human beings. The humorous reward has encouraged the development of such faculties, leading to the unique perceptual and intellectual abilities of our species."[1]

Humour formulae

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Please help improve this article by adding reliable references. Unsourced material may be challenged and removed.(October 2006)


Humour can be verbal, visual, or physical.

Rowan Atkinson portraying one of his characters, Mr. Bean

Rowan Atkinson explains in his lecture in the documentary "Funny Business " [14] that an object or a person can become funny in three different ways. They are:

  • By behaving in an unusual way
  • By being in an unusual place
  • By being the wrong size

Most sight gags fit into one or more of these categories.

Humour is also sometimes described as an ingredient in spiritual life. Humour is also the act of being funny, such as making people laugh. Some synonyms of funny or humour are hilarious, spiritual, wise-minded, outgoing, and amusing. Some Masters have added it to their teachings in various forms. A famous figure in spiritual humour is the laughing Buddha .

References
  1. ↑ Seth Benedict Graham A cultural analysis of the Russo-Soviet Anekdot 2003 p.13
  2. ↑ Bakhtin, Mikhail. Rabelais and His World [1941, 1965]. Trans. Hélène Iswolsky. Bloomington: Indiana University Press p.12
  3. ↑ Raymond Smullyan. "The Planet Without Laughter", This Book Needs No Title
  4. ↑ Webber, Edwin J. (January 1958), [Expression error: Missing operand for > "Comedy as Satire in Hispano-Arabic Spain"], Hispanic Review (University of Pennsylvania Press ) 26 (1): 1–11, doi. 10.2307/470561
  5. ↑ Henri Bergson, Laughter: An Essay on the Meaning of the Comic (1900) English translation 1914.
  6. ↑ Robert L. Latta (1999) The Basic Humor Process: A Cognitive-Shift Theory and the Case against Incongruity, Walter de Gruyter, ISBN 3110161036 (Humor Research no. 5)
  7. ↑ John Morreall (1983) Taking Laughter Seriously, Suny Press, ISBN 0873956427
  8. ↑ Brian Boyd, Laughter and Literature: A Play Theory of HumorPhilosophy and Literature - Volume 28, Number 1, April 2004, pp. 1-22
  9. ↑ Koestler, Arthur (1964): "The Act of Creation".
  10. ↑ Veal, Tony (2003): "Metaphor and Metonymy: The Cognitive Trump-Cards of Linguistic Humor" (Afflatus.uce.ie)
  11. ↑ Veale, Tony (2006): "The Cognitive Mechanisms of Adversarial Humor"
  12. ↑ Veale, Tony (2004): "Incongruity in Humour: Root Cause of Epiphenomonon?" (Afflatus.ucd.ie)
  13. ↑ Quotationspage.com
  14. ↑ Rowan Atkinson/David Hinton, Funny Business (tv series), Episode 1 - aired 22 November 1992, UK, Tiger Television Productions
Further reading
  • Basu, S (December 1999), "Dialogic ethics and the virtue of humor" (Abstract), Journal of Political Philosophy (Blackwell Publishing Ltd) Vol. 7 (No. 4): 378–403, doi. 10.1111/1467-9760.00082. http://www.anthrosource.net/doi/abs/10.1525/var.2006.22.1.14. retrieved 2007-07-06 (Abstract)
  • Billig, M. (2005). Laughter and ridicule: Towards a social critique of humour. London: Sage. ISBN 1412911435
  • Bricker, Victoria Reifler (Winter, 1980) The Function of Humor in Zinacantan Journal of Anthropological Research, Vol. 36, No. 4, pp. 411–418
  • Buijzen, Moniek; Valkenburg, Patti M. (2004), "Developing a Typology of Humor in Audiovisual Media". Media PsychologyVol. 6 (No. 2): 147–167, doi. 10.1207/s1532785xmep0602_2. http://www.leaonline.com/doi/abs/10.1207/s1532785xmep0602_2?prevSearch=allfield%3A(buijzen) (Abstract)
  • Carrell, Amy (2000), Historical views of humour . University of Central Oklahoma. Retrieved on 2007-07-06.
  • García-Barriocanal, Elena; Sicilia, Miguel-Angel; Palomar, David (2005) (pdf), A Graphical Humor Ontology for Contemporary Cultural Heritage Access . Ctra. Barcelona, km.33.6, 28871 Alcalá de Henares (Madrid), Spain. University of Alcalá. http://is2.lse.ac.uk/asp/aspecis/20050064.pdf. retrieved 2007-07-06
  • Goldstein, Jeffrey H. et al. (1976) "Humour, Laughter, and Comedy: A Bibliography of Empirical and Nonempirical Analyses in the English Language." It's a Funny Thing, Humour. Ed. Antony J. Chapman and Hugh C. Foot. Oxford and New York: Pergamon Press, 1976. 469-504.
  • Holland, Norman. (1982) "Bibliography of Theories of Humor." Laughing; A Psychology of Humor. Ithaca: Cornell U P, 209-223.
  • Luttazzi, Daniele (2004) Introduction to his Italian translation of Woody Allen 's trilogy Side Effects . Without Feathers and Getting Even (Bompiani, 2004, ISBN 88-452-3304-9 (57-65).
  • Martin, Rod A. (2007). The Psychology Of Humour: An Integrative Approach. London, UK: Elsevier Academic Press. ISBN 13: 978-0-12-372564-6
  • McGhee, Paul E. (1984) "Current American Psychological Research on Humor." Jahrbuche fur Internationale Germanistik 16.2: 37-57.
  • Mintz, Lawrence E. ed. (1988) Humor in America: A Research Guide to Genres and Topics. Westport, CT: Greenwood, 1988. ISBN 0313245517; OCLC: 16085479.
  • Mobbs, D. Greicius, M.D.; Abdel-Azim, E. Menon, V. & Reiss, A. L. (2003) "Humor modulates the mesolimbic reward centers". Neuron . 40. 1041-1048.
  • Nilsen, Don L. F. (1992) "Satire in American Literature." Humor in American Literature: A Selected Annotated Bibliography. New York: Garland, 1992. 543-48.
  • Pogel, Nancy, and Paul P. Somers Jr. (1988) "Literary Humor." Humor in America: A Research Guide to Genres and Topics. Ed. Lawrence E. Mintz. London: Greenwood, 1988. 1-34.
  • Roth, G. Yap, R, & Short, D. (2006). "Examining humour in HRD from theoretical and practical perspectives". Human Resource Development International, 9 (1), 121-127.
  • Smuts, Aaron. "Humor". Internet Encyclopedia of Philosophy
  • Wogan, Peter (Spring 2006), "Laughing At First Contact " (Abstract), Visual Anthropology ReviewVol. 22 (No. 1): 14–34, online December 12, 2006, doi. 10.1525/var.2006.22.1.14. http://www.anthrosource.net/doi/abs/10.1525/var.2006.22.1.14. retrieved 2007-07-06 (Abstract)
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Humorous essay literary term definition

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